Nutcracker - Josh

Here's another attempt of a Nutcracker I've been doodling for a while in various past sketches (1, 2, 3).

This is further exploration into a story concept about the Nutcracker from ETA Hoffman's original book.

Graphic Novel Progress - Josh

If I've appeared to be unsocial to anyone these last couple of months, it's mainly because I've devoted any moment I can spare on a graphic novel project. This is the same one I mentioned in a PAST POST. It's a Christmas story that deals with Scrooge and Santa. The story was written by Matthew Wilson.

I'm about halfway through the 3rd act, so the end is almost in sight. Right now the book is in black and white and soon to be colored. A Lettrist is currently working on all the text. Here are a few page samples of my work-in-progress (the font is not final). This is my first graphic novel and comic book, so it's been a real learning experience.

Super Mario Bros. Theme Park Attraction - by Josh

I've recently started to play around with the 3D software Google Sketchup, trying to find away to incorporate it into illustrations. This is my first test. What I did was create a very basic 3D model in Sketchup. I then took a JPG from a certain angle of the model and painted over it as my bases for an illustration. My goal was to see if I could create a drawing where it would not be blatantly obvious that I used a 3D model.


The drawing is an exterior of a Super Mario Bros. Theme Park Attraction that I made up. I plan to make this a part of a series of drawings where I also explore the interior and the ride itself, which is primarily a motion simulator.


The setting is the Super Mario Bros. Plumbing Service Center. Mario and Luigi have created a plumbing company and they have opened their doors for tours and plumbing recruits. The company guarantee is that they will send a plumber to you not matter what the terrain (land, water, or air). From these headquarters they blast their plumbing vehicles, like cannon balls, from the four large pipes at the top of the building.

My Class Project - Josh

I’ve been taking a Commercial Illustration course in the evenings since the beginning of February. It’s been really helpful to have something like a class to push me and make me work on my drawing skills. The focus of the class is more on the process of illustration then on the final pieces, so we take a lot of time focusing on the development process. In commercial illustration, the client and/or art director want the artist they hire to keep them well informed on the development of the piece. They don’t like surprises, so the artist will send thumbnails, value comprehensives, color roughs and other areas of refinement so the client can give feedback along with their approval or disapproval every step of the way. I’ll show you some examples of these steps from my first class project.
The assignment was a black and white Anthropomorphic Animal illustration done in the style of a children’s book drawing. Anthropomorphic Animal basically means an animal imitating humans appearance and/or behavior (example: Disney’s Robin Hood). Each student drew three words out of three hats. These words were of an animal, what the animal is and an adjective. From these words we had to create our illustrations. I pulled the words Tattooed, Baboon and Queen.
We started by drawing thumbnails of ideas, and these are what I came up with:
From the feedback and criticism of the class and teacher, I choose a combination of the last two as my final.
From there we had to come up with different value comprehensives (AKA lighting and shadow).

After more feedback I choose the last value drawing for my final piece. The final was drawn using black colored pencil on coquille board. This is the first time I’ve drawn on a coquille board, and I rather liked the texture. The piece did not turn out as good as I hoped, but I was really rushed to finish it after being sick for over two weeks. I basically had two days to draw it in time for the due date.

Aside from taking this course for practice reasons, I’m also using it as material for a mentorship with an animator from Disney. I don’t want to share his name without permission, but I can let you know that he directed most of the episodes of one my favorite cartoon series, Animaniacs! I’ve been running all of my work by him for more valuable feedback and criticism.All in all this has been a good experience and I really hope I can grow from it